Thavil and Nadhaswaram blends modernity and tradition.
The Thavil (Mridhangam) and Nadhaswaram artists of Pattaraipaathi, Cuddalore, consist of the 5 member group, Shanmugam, Arumugam, Veeramuthu, Sakthi and Ranjith.
Until, the establishment of the music school in 1998, they were discriminated on the basis of their caste, to a point where they had to sit outside of the house where class was conducted, made to work at fields and eat at separate places and segregated. Yet, today, when they possess the enough traits and knowledge of being a teacher, they are denied this opportunity, solely based on their caste.
Reservations are misused and filled up by people of other castes, when it is specifically provided for the oppressed caste alone. The examinations and tests to qualify the artists are not conducted and fair play is evaded. Maade up reasons like having to pass 10th, crossing the degree status etc; are given, while the same does not apply to the candidates of the dominant caste.
Transparency is not present in the hiring and recognition process and nepotism and favouritism continue among the other castes to impose domination and oppression within the music school. When asked about the refusal to provide them opportunities, there is redirection to the Arts cultural centres, where the group has no access to. Ranjith, who has passed in the GATE examination and is a holder of 13 valuable certificates, is unable to showcase his talent due to the oppression and withholding of opportunities.
Adding to this issue, the group is not allowed to play at the temple festivals. Having expertise in playing at government events and concerts, they’re denied the right to play at their village’s temples as the practice of nepotism within the high castes continues.
Aren’t given opportunities to play at concerts although they have played at government events
They yearn to receive opportunities and recognition, as their years of hard work and dedication go in vain. Despite being active participants of government held events and large concerts, they struggle to find recognition and equality in their own village. Despite all their hardships, they stay dedicated to their art and try to bring attention to it.
For more information on the same, refer to the video embedded above.
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